Los caminos compartidos del tacto y el sonido hacia la emoción: Evidencias neurocientíficas actuales

• García López, Álvaro ^[1] ; Lucía Mulas, María José ^[2] ; Ruiz Mezcua, Belén ^[2] ; Sánchez Pena, José Manuel ^[2]
  1. [1] Universidad Rey Juan Carlos

     Universidad Rey Juan Carlos

     Madrid, España

     
  2. [2] Universidad Carlos III de Madrid

     Universidad Carlos III de Madrid

     Madrid, España

     
• Localización: Arbor: ciencia, pensamiento y cultura, ISSN 0210-1963, Vol. 199, Nº. 810, 2023
• Idioma: español
• DOI: 10.3989/arbor.2023.810002
• Títulos paralelos:
  • The shared pathways of touch and sound to emotion: Current neuroscientific evidence
• Enlaces
  • Texto completo
• Resumen
  • español

    La característica más representativa de la música es su capacidad de generar emoción. Pero ¿por qué la música emociona? En este artículo mostramos los conocimientos actuales de la teoría musical y la neurociencia que intentan explicar las relaciones que existen entre la música y las emociones. En primer lugar, se repasan los conocimientos actuales sobre el procesamiento de los sonidos musicales a nivel cerebral y las posibles explicaciones del origen de la emoción musical, así como la contribución de los distintos parámetros musicales a la generación de emociones, considerando estructuras musicales de nuestro mundo occidental. En segundo lugar, se presenta el canal táctil como un posible canal de transmisión de la emoción musical análogo al canal auditivo, pero con más limitaciones en la discriminación de frecuencias. Este acercamiento se produce desde la profunda fascinación que ejerce la música, con la esperanza de encontrar vías para explicar la transmisión de la emoción musical desde un canal alternativo.

  • English

    The most representative characteristic of music is its capacity to generate emotion. But why does music excite you? In this article, we review the current knowledge from music theory and neuroscience that attempts to explain the relationship between music and emotion. First, we consider how the different musical parameters contribute to the generation of emotions from the perspective of the musical structures of our western world. Secondly, it reviews current knowledge about the processing of musical sounds in the brain and possible explanations for the evolutionary origin of music. Finally, the tactile channel is considered a viable channel of transmission of musical emotion analogous to the auditory channel but with more limitations in frequency discrimination. This approach is based on the deep fascination with music and all the enigmas surrounding it.

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