Music Encoding Conference Proceedings 2021, 19–22 July, 2021 University of Alicante (Spain): Onsite & Online
Información General
- Autores: Stefan Münnich (dir. congr.), David Rizo Valero (dir. congr.)
- Editores: Universidad de Alicante / Universitat d'Alacant
- Año de publicación: 2022
- País: España
- Idioma: inglés
- ISBN: 978-84-1302-173-7
- Enlaces
DOIListado de artículos
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Keynote I
The Musicology Lab: Teamwork and the Musicological Toolbox
Alvaro Torrente Sánchez-Guisande, Ana Llorens Martín
págs. 9-20
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Articles
Encoded Spanish Music Heritage throughVerovio: The Online Platforms Fondo deMúsica Tradicional IMF–CSIC and Books ofHispanic Polyphony IMF–CSIC
Emilio Ros-Fabregas
págs. 21-29
Alleviating the Last Mile of Encoding: Themei-friend Package for the Atom Text Editor
Werner Goebl, David M. Weigl
págs. 31-39
Building a Comprehensive Sheet MusicLibrary Application
Klaus Rettinghaus, Alexander Pacha
págs. 41-48
Lohengrin TimeMachine: Musicological Multimedia Made with MELD
David Lewis, Kevin R. Page, Laurence Dreyfus
págs. 49-55
págs. 57-63
Tools and Perspectives for a Digital CriticalEdition of Fourteenth-Century PolyphonicMusic
Chiara Martignano, Antonio Calvia, Michele Epifani
págs. 65-74
Encoding Traditional Spanish Music for Pedagogical Purposes Through MEI: Challenges and Opportunities
Sara González Gutiérrez, Javier Félix Merchán Sánchez Jara, María Navarro Cáceres
págs. 75-84
págs. 85-95
págs. 97-105
United, Linked, Connected – A Data Model forthe Inventory of the Former Detmold CourtTheatre (1825–1875), or: How Library InventoryHistory Can also Be Told
Kristina Richts--Matthaei, Irmlind Capelle
págs. 107-115
Beethoven in the House: Digital Studies ofDomestic Music Arrangements
Kevin R. Page, Johannes Kepper, Christine Siegert, Andrew Hankinson, David Lewis
págs. 117-123
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Posters
The PROFMUS Application: Development, Status, and Future Progress
Maria João Albuquerque, José Luis Borbinha
, H. Sofia Pinto, Luís Filipe Santos, Tiago Teixeirapágs. 125-130
págs. 131-136
MEI Meets NFDI4Culture
Kristina Richts--Matthaei, Martin Albrecht Hohmaier, Daniel Röwenstrunk, Andreas Münzmay
págs. 137-141
Towards a Unified Model of Chords in WesternHarmony
Johannes Hentschel, Fabian C. Moss, Andrew McLeod, Markus Neuwirth, Martin Rohrmeier
págs. 143-149
págs. 151-158
Diagrammatic Analysis of J.S. Bach’s TheWell-Tempered Clavier Fugues, BWV 846–851
Anna Matuszewska, Christoph Seibert
págs. 159-166
págs. 167-171
Font Design of Psaltic (Byzantine) Notationfor Greek Musical Repertoires
Nikolaos Siklafidis, Maria Alexandru
págs. 173-180
Annotation of Medieval Music FacsimilesUsing ‘Good Enough’ OMR
Joshua Stutter
págs. 181-187
Encoding Scores for Electronic Music
Florian Zwißler, Philip Schwarzbauer, Michael Oehler
págs. 189-196
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Panel
Encoding Polyphony from Medieval Manuscripts Notated in Mensural Notation
Karen Desmond, Laurent Pugin, Juliette Regimbal, David Rizo Valero
, Graig Stuart Sapp, Martha E. Thomaepágs. 197-219
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Keynote II
pág. 221
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